This led to some pre-release speculation that the observatory could rotate. Covers Always Lie: On the game's cover, the door to the J'nanin observatory is turned 180 degrees from where it is in the actual game.Then again, we know the Art loves to intentionally screw with reality as we know it. You can also stand on a platform suspended just inches above the lava, and suffer no ill effects. As long as you drain the room before entering, you can waltz inside without waiting for the room to cool down first. Convection, Schmonvection: In Voltaic, there is a room that you can fill up with lava.Colour-Coded for Your Convenience: Each of the three concept ages is a different color: Voltaic (Red), Edanna (Green), Amateria (Blue).What kind of rehabilitation does he have ahead of him? Makes the homecoming pretty darn bittersweet right there. To say nothing of the fact that he's become a psychopath, easily capable of snapping and killing someone with little provocation. Even if you get the best possible ending instead, Saavedro has still lost twenty years of his life, including his daughters' entire childhoods, and is quite possibly incurably insane. Bittersweet Ending: If the player chooses to leave Saavedro stranded after retrieving the Releeshahn book from him, Myst III: Exile can fall under this.As in, you riding inside one of the ice spheres, along the entire track network of the age. Be the Ball: What happens to the player in the climax of Amateria.Justified in the fact that all 3 of the ages were (in-universe) meant to be learning experiences, first for Atrus' sons, then for Atrus himself (whom the player so conveniently goes in place of). Alphabet Soup Cans: Atrus installed them into Amateria and Voltaic, and Wrote them into Edanna.All There in the Manual: The game opens with a narration by Atrus about D'ni survivors, which makes no sense at all in context unless you've read the Book of D'ni.
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